Nomad and shaman, flags and terremonto
Arahmaiani Feisal’s artistic practice from the perspective of Joseph Beuys’ “social sculpture”

Authors

Published in Vol. 11 (2022): Art of the Orient, 180-199
Date
2023-10-30
DOI
https://doi.org/10.11588/ao.2022.1.22898
License
Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Section:
Article
Published in Vol. 11 (2022): Art of the Orient, 180-199
Date
2023-10-30
DOI
https://doi.org/10.11588/ao.2022.1.22898
License
Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.