Vol. 11 (2022): Art of the Orient

Title and Contents

• Title and contents

  1-4

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Introduction

• Introduction

  Editorial Staff

  5-6

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Article

• The Abhaya Gesture in Indian Art Visual Means to Invoke Divine Protection

  Agnieszka Staszczyk

  7-27

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• The importance of the body in Indian culture and selected issues regarding its manifestation in art

  Dorota Kamińska-Jones

  28-50

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• Imaging the Divine The Depiction of Gods and Deified Beings in Illustrations of Kalpasūtra Manuscripts from Western India

  Patrick Felix Krüger

  51-78

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• Sihr ul Bayan: Awadh Poetry in Delhi Painting (An imperial later Mughal manuscript from the National Museum, New Delhi)

  Savita Kumari

  79-92

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• Swords and Daggers on the Wallpaintings of Kucha in the 1st and 2nd Indo-Iranian style and its Significance for Dating

  Ulf Jäger

  93-126

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• Representation and Significance of Animals and Birds in Temple Art A Case Study of Paramara Temples

  Nikita Rathore

  127-139

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• Glimpses into the history, design and construction of St. Andrew’s Kirk, Madras

  Roshini Roy Festus

  140-151

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• Revising the tiger The case of the instrument of Tipu Sultan in the Victoria and Albert Museum and the discussion on contested heritage

  Magdalena Guziejko

  152-163

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• Between mind and soul – pustaha manuscripts in Batak society Concerning the collections of Batak manuscripts – part I

  Zuzanna Rozwadowska

  164-179

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• Nomad and shaman, flags and terremonto Arahmaiani Feisal’s artistic practice from the perspective of Joseph Beuys’ “social sculpture”

  Anna Dzierżyc-Horniak

  180-199

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