Paradise on a River of Hell
Kashmiri Cultural Memory through the Lens of Film: Paradise on a River of Hell revisited
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Abstract
Abir Bazaz tackles the question of what it means to make a film about the Sufi traditions of the Kashmir Valley. In conversation with Max Kramer he talks about the film-form and Dastavezi’s interest in aesthetics and theory.
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Published
2021-08-09
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Section
Keywords
Kashmir, cultural memory, Sufism
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