Paradise on a River of Hell
Kashmiri Cultural Memory through the Lens of Film: Paradise on a River of Hell revisited

Authors

Abir Bazaz tackles the question of what it means to make a film about the Sufi traditions of the Kashmir Valley. In conversation with Max Kramer he talks about the film-form and Dastavezi’s interest in aesthetics and theory.

Published in Vol. 3 (2021)
Date
2021-08-09
DOI
https://doi.org/10.11588/dasta.2021.1.15258
License
Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

How to Cite
“Paradise on a River of Hell: Kashmiri Cultural Memory through the Lens of Film: Paradise on a River of Hell Revisited”. 2021. Dastavezi | the Audio-Visual South Asia 3 (1). https://doi.org/10.11588/dasta.2021.1.15258.
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Section:
Contribution
Keywords:
Kashmir, cultural memory, Sufism
Published in Vol. 3 (2021)
Date
2021-08-09
DOI
https://doi.org/10.11588/dasta.2021.1.15258
License
Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

How to Cite
“Paradise on a River of Hell: Kashmiri Cultural Memory through the Lens of Film: Paradise on a River of Hell Revisited”. 2021. Dastavezi | the Audio-Visual South Asia 3 (1). https://doi.org/10.11588/dasta.2021.1.15258.
More Citation Formats