Art of the Orient
Language
Vol. 5 (2016): Art of the Orient
Published:
2019-05-17
Title and Contents
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Title and Contents
3-4
Editorial
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From the Editor
5-6
Article
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The Emotional Dimension of the ‘Nature of the World (Lokasya Svabhāva)’ and the Meaning of Saḥr̥daya. ‘Avadhakiśoragurucaraṇasmṛtiai Samarpyate’
7-13 -
Triple Temples in India, Nepal and Cambodia A Contribution to the Question of Inclusivism
14-36 -
Parinirvāṇa Representations in the Art of Mathura A Study Based on the Discovery of a Unique Parinirvāṇa Stele from the Varāha Temple of Mathura
37-60 -
The Āyāgapaṭas of Mathura
61-78 -
An Enigmatic Female Ascetic Figure from Mathura
79-91 -
Discovering Buddhism in Southern Punjab A Study of Vanishing Buddhist Heritage at Sui Vihāra
92-100 -
The Travels of Two Marine Beasts from the Mediterranean to Gandhara – A Transfer of Form and Meaning?
101-108 -
Cōḻa Bronzes in the Context of the History and Culture of Tamil Nadu
109-146 -
The Religious and Social Significance of Chenrezig in Vajrāyana Buddhism A Study of Select Tibetan Thangkas
147-163 -
A Concept of Comic Dance as Presented in Kāḷi Nāṭakam of Narayana Guru in the Light of His Later Philosophical Works
164-176 -
Rāgiṇī Bhairavī A Case Study of Select rāgacitras from the Miniature Paintings of Mewar (16th–17th Century C.E.)
177-188 -
Art and Gender in the Contact Zone European Women and Indian Miniature Painting
189-216 -
Art and Politics: British Patronage in Delhi (1803–1857)
217-229 -
Kira Banasińska – Seventy Years in India From Diplomacy to Kaybee
230-243 -
Inspirations of Traditional Hindu Temple Architecture in the Birla Mandir in Renukoot
244-259 -
Culturally Sensitive Contemporary Buildings in India
