Performative Aspekte des Rakugo-Theaters
Identifiers (Article)
Identifiers (Files)
URN:
http://nbn-resolving.de/urn:nbn:de:bsz:16-br-110907 (PDF (Deutsch))
Abstract
What is most important about a Rakugo performance? Is the performer supposed to follow a set of norms? Or is he free to do as he likes in order to entertain the audience? Using Fischer-Lichte’s concept of performance, this paper examines current trends in Rakugo theory and criticism, discussing the approaches of Horii Ken’ichi and Hirose Kazuo, as well as examples of contemporary Rakugo artists such as Shunpūtei Shōta or Kawayanagi Tsukushi, in whose performances the performative aspect of Rakugo comes to the fore.Statistics
Published
2014-04-16
Language
de
Academic discipline and sub-disciplines
Japanologie
Type, method or approach
Performanzanalyse
Keywords
Rakugo, Comedy, Komödie