Dastavezi | the Audio-Visual South Asia
About the Journal
Dastavezi is an international peer-reviewed, open-access e-journal, which seeks to reposition film as a central mode of knowing and thinking about South Asia. It is the first peer-reviewed journal connecting scholarly research from and about South Asia with filmic practices.
Dastavezi welcomes submissions that connect academic texts and audio-visual material in creative ways to make a conceptual or empirical contribution to scholarship on South Asia. Contributions can either address existing discussions in new ways through audio-visual productions or introduce new themes that have thus far been overlooked in the field of South Asian studies, and which may be better addressed through an audio-visual approach.
Submit your films and essays to: dastavezi@gmail.com.
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Current Issue
Vol. 7 (2025)
In this 7th edition of Dastavezi brings together four contributions that use visual methods to examine musical memory, colonial image-making, housing, and urban transformation in South Asia and its diasporas. The issue includes a media-reflexive ethnographic essay on the death of an Afghan tabla player and the conditions of musical remembrance in exile; a historical analysis of photography and early cinema as technologies of colonial knowledge in India; and two visual-ethnographic studies that address homelessness, housing, caste, and gentrification in the cities of Kolkata and Patna.
Note: Please use the current version of the respective article for citing, as in case of an update a new version can only be generated on article level, but not for the complete issue of the journal.
Contribution
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On the Death of the Kabul Tabla Player Javed Hussain Mahmoud
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Photography and Cinema in Colonial India: Confronting the Other (and the I) through Image
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A Visual-Ethnographic Exploration of Home under a Flyover in Kolkata: Rethinking “Homelessness” and Limited Social Reproduction
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Musahar Toli or Rukanpura: an Intersection of Caste and Gentrification



