Bd. 9 (2020): Art of the Orient

Title and Contents

• Title and Contents

  1-4

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Introduction

• Introduction

  Editorial Staff

  5-6

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Artikel

• THE MEANING OF ANIMAL MOTIFS IN NEOLITHIC CHINA based on examples of jade figurines and shell mosaics

  Bogna Łakomska

  7-26

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• GOAT-HEADED DEITIES IN ANCIENT INDIAN SCULPTURE

  Agnieszka Staszczyk

  27-65

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• MULTIPLE ROLES OF DOGS IN INDIA culture, art and the colonial context

  Dorota Kamińska-Jones

  66-94

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• ANIMAL MOTIFS REPRESENTING SIPJANGSAENG (LONGEVITY) AND SAMGANG ORYUN (BASIC VIRTUES OF NEO-CONFUCIAN SOCIAL ETHICS) IN THE FURNITURE AND DÉCOR OF A TRADITIONAL KOREAN HOUSE

  Zuzanna Krzysztofifik

  95-114

  • PDF (English)

• CONFUCIAN VALUES PRESENTED IN DEPICTIONS OF BIRDS ON CHINESE TEXTILES from the Qing Dynasty period (1644–1912)

  Katarzyna Zapolska

  115-133

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• DEPICTIONS OF ANIMALS IN THE SATIRICAL WAR PRINTS OF KOBAYASHI KIYOCHIKA

  Monika Jankiewicz-Brzostowska

  134-154

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• DISGUST OR FASCINATION? INSECTS IN WORKS OF CONTEMPORARY EAST ASIAN ARTISTS

  Magdalena Furmanik-Kowalska

  155-171

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