Bücher
Mediatised Solidarity
In einer Ära, die durch die schnelle Verbreitung der Medien und globalisierte soziale Bewegungen gekennzeichnet ist, untersucht Mediatised Solidarity Dimensionen der Solidarität innerhalb indischer Sozial- und Protestbewegungen. Für den Zeitraum ab 2014 analysiert es das Zusammenspiel zwischen Medienpraktiken, einschließlich sozialer Medien, und dem Ausdruck sowie der Performanz von Solidarität. Durch drei Fallstudien - Shaheen Bagh, den Protest der indischen Bauern und Jugendklimaaktivismus - erforscht das Buch, wie Medien und visuelle Kunst Solidarität formen und von ihr geformt werden und inwieweit auf kollektive Erinnerungen und kulturelles Erbe zurückgegriffen wird, um soziale Kohäsion zu inszenieren.
Crafting Potency
Crafting Potency investigates the intricate meshwork of theories and practices of potency in Sowa Rigpa (Tibetan medicine). Informed by Tibetan medical literature and extensive fieldwork with practitioners (amchis) from Ladakh, Dharamsala, and Kathmandu, the authors explore how the potency of substances is understood, sculpted, and refined in the making of multi-ingredient medicines. Utilizing Tim Ingold’s concepts of “skilled practice” and “meshworks” alongside Pamela Smith’s “artisanal epistemologies,” potency is presented as a potential that is crafted and realized through practice. The book explores the impacts on knowledge transmission of both institutional training and traditional lineage-based medicine making. It highlights the deep immersion of amchis in their social, ecological, technical, and spiritual environments, contributing nuanced practice-based perspectives to the anthropology of materials and the history of science.
Reframing Tradition
The volume presents recent scholarly research on texts and performative traditions of India in the early modern and colonial periods with a specific focus on challenges to conventional norms in literary, social, and political contexts. It gathers a selection of contributions, presented at the international webinar on “Transmission, Alteration, and Voices: Texts and
Performative Traditions in South Asia in the Early Modern and Colonial Periods”, which bring new material to approach the variety of intentions involved in transmitting and altering texts and ideas. Arranged in four parts - Adaptation and Translation, Between Performance and Script, Genres and Kingdoms, and Voices and Gender - the essays investigate altering concepts from different angles and traditions (Hindu, Muslim, Jain, Sikh). The authors shed light on exchanges pertaining to sectarian, cultural, and political issues and examine redirections by questioning channels of transmission and media used to convey transformational concepts. The topics covered include retellings in vernaculars and their adaptations to new socio-cultural contexts, transitions from oral to written traditions and contemporary performance, alterations of genres and styles in their association with courtly milieus and historical background, questions of gender and voices raised to stimulate social and political change. Strategies for creating and transforming spaces for communication of new clusters, genres, sectarian systems, and artistic representations are also discussed. The volume thus displays multiple ways of reframing tradition and diverting the course of established concepts as a common feature found across the landscapes of South Asia during these periods.