Between Documentary and Dastavezi: A Slow-Paced Approach to Theorizing Transnational Film-Practices

Authors

This is the first edition of Dastavezi, a journal for scholars and filmmakers, filmmakers as scholars, and filmmaking scholars working on regional and transregional South Asia. Dastavezi aims to be a platform for the dialogue between textual and audio-visual productions in current research. In the introduction we address some common difficulties and convergences of - as well as differences between filmic and academic practices.

Published in Vol. 1 (2019)
Date
2022-11-02
DOI
https://doi.org/10.11588/dasta.2019.0.8107
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Copyright (c) 2019 Max Kramer, Jürgen Schaflechner

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

How to Cite
“Between Documentary and Dastavezi: A Slow-Paced Approach to Theorizing Transnational Film-Practices”. (2019) 2022. Dastavezi | the Audio-Visual South Asia 1 (November). https://doi.org/10.11588/dasta.2019.0.8107.
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Section:
Introduction
Keywords:
transnational film, film studies, film theory, media anthropology, documentary film
Published in Vol. 1 (2019)
Date
DOI
https://doi.org/10.11588/dasta.2019.0.8107
License

Copyright (c) 2019 Max Kramer, Jürgen Schaflechner

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

How to Cite
“Between Documentary and Dastavezi: A Slow-Paced Approach to Theorizing Transnational Film-Practices”. (2019) 2022. Dastavezi | the Audio-Visual South Asia 1 (November). https://doi.org/10.11588/dasta.2019.0.8107.
More Citation Formats