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Between Documentary and Dastavezi: A Slow-Paced Approach to Theorizing Transnational Film-Practices

  • Max Kramer (Author)
  • Jürgen Schaflechner (Author)

Identifiers (Article)

DOI: https://doi.org/10.11588/dasta.2019.0.8107

Identifiers (Files)

URN: http://nbn-resolving.de/urn:nbn:de:bsz:16-dasta-81079 (PDF)

Abstract

This is the first edition of Dastavezi, a journal for scholars and filmmakers, filmmakers as scholars, and filmmaking scholars working on regional and transregional South Asia. Dastavezi aims to be a platform for the dialogue between textual and audio-visual productions in current research. In the introduction we address some common difficulties and convergences of - as well as differences between filmic and academic practices.

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Published (Versions)

Issue
Vol. 1 (2019)
Section
Introduction
Keywords
transnational film, film studies, film theory, media anthropology, documentary film
How to Cite
Kramer, Max, and Jürgen Schaflechner. 2019. “Between Documentary and Dastavezi: A Slow-Paced Approach to Theorizing Transnational Film-Practices”. Dastavezi | the Audio-Visual South Asia 1 (February). https://doi.org/10.11588/dasta.2019.0.8107.

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