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Artikel
101 Titel
Artikel
Nomad and shaman, flags and terremonto
Anna Dzierżyc-Horniak
Bd. 11 (2022): Art of the Orient
Between mind and soul – pustaha manuscripts in Batak society
Zuzanna Rozwadowska
Bd. 11 (2022): Art of the Orient
Revising the tiger
Magdalena Guziejko
Bd. 11 (2022): Art of the Orient
Glimpses into the history, design and construction of St. Andrew’s Kirk, Madras
Roshini Roy Festus
Bd. 11 (2022): Art of the Orient
Representation and Significance of Animals and Birds in Temple Art
Nikita Rathore
Bd. 11 (2022): Art of the Orient
Swords and Daggers on the Wallpaintings of Kucha in the 1st and 2nd Indo-Iranian style and its Significance for Dating
Ulf Jäger
Bd. 11 (2022): Art of the Orient
Sihr ul Bayan: Awadh Poetry in Delhi Painting
Savita Kumari
Bd. 11 (2022): Art of the Orient
Imaging the Divine
Patrick Felix Krüger
Bd. 11 (2022): Art of the Orient
The importance of the body in Indian culture
Dorota Kamińska-Jones
Bd. 11 (2022): Art of the Orient
The Abhaya Gesture in Indian Art
Agnieszka Staszczyk
Bd. 11 (2022): Art of the Orient
Animal figures inspirations in contemporary Chinese art
Bogna Łakomska
Bd. 10 (2021): Art of the Orient
Mao Zedong’s Bakhtinian laughter
Maciej Szatkowski, Hanna Kupś
Bd. 10 (2021): Art of the Orient
Culture Trouble - The Significance of Cultural Context in an Art Historian’s Research on Chinese Contemporary Art
Magdalena Furmanik-Kowalska
Bd. 10 (2021): Art of the Orient
Indian woman between ‘new’ tradition and ‘old’ patriarchy
Dorota Kamińska-Jones
Bd. 10 (2021): Art of the Orient
Chinese and Japanese characters in selected Polish mass, popular, orientalist and religious magazines published in the 1930s
Katarzyna Michalewicz
Bd. 10 (2021): Art of the Orient
The boundary between the art and product
Aleksandra Cieśliczka
Bd. 10 (2021): Art of the Orient
DISGUST OR FASCINATION? INSECTS IN WORKS OF CONTEMPORARY EAST ASIAN ARTISTS
Magdalena Furmanik-Kowalska
Bd. 9 (2020): Art of the Orient
DEPICTIONS OF ANIMALS IN THE SATIRICAL WAR PRINTS OF KOBAYASHI KIYOCHIKA
Monika Jankiewicz-Brzostowska
Bd. 9 (2020): Art of the Orient
CONFUCIAN VALUES PRESENTED IN DEPICTIONS OF BIRDS ON CHINESE TEXTILES
Katarzyna Zapolska
Bd. 9 (2020): Art of the Orient
ANIMAL MOTIFS REPRESENTING SIPJANGSAENG (LONGEVITY) AND SAMGANG ORYUN (BASIC VIRTUES OF NEO-CONFUCIAN SOCIAL ETHICS) IN THE FURNITURE AND DÉCOR OF A TRADITIONAL KOREAN HOUSE
Zuzanna Krzysztofifik
Bd. 9 (2020): Art of the Orient
MULTIPLE ROLES OF DOGS IN INDIA
Dorota Kamińska-Jones
Bd. 9 (2020): Art of the Orient
GOAT-HEADED DEITIES IN ANCIENT INDIAN SCULPTURE
Agnieszka Staszczyk
Bd. 9 (2020): Art of the Orient
THE MEANING OF ANIMAL MOTIFS IN NEOLITHIC CHINA
Bogna Łakomska
Bd. 9 (2020): Art of the Orient
Landscape in the Light of Regaining Independence
Joanna Wacławek
Bd. 8 (2019): Art of the Orient
The Art of Wayang
Marianna Lis
Bd. 8 (2019): Art of the Orient
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